«Trésors à musique»

«Vinyl pressing of the studio album ’Trésors à musique’»

Today, I am calling on you to give a new dimension to my album Trésor à musique. I wrote and recorded this album using acoustic instruments only. I conceived this record as a living and organic work. The vinyl format feels like an obvious choice to fully convey its warmth, depth and sonic richness, as close as possible to the emotion experienced during the studio recording. By taking part in this campaign, you are not only supporting a musical project: you are contributing to the existence of a tangible, lasting object, and to preserving a more intimate and human way of listening to music. Every contribution counts, and each one helps bring this project to life, giving it form — in your hands, all the way to your ears.

My project is special because ...

I wrote and recorded the album Trésors à musique between December 2025 and February 2026. I isolated myself for two months, surrounded by numerous instruments, to compose and bring this singular work to life (guitars, drums, double bass, cello, piano and clarinet…).

Some musicians came to enrich certain tracks with their sensitivity and expertise, notably Jean-Yves Poupin on piano, as well as a friend on flute.

Primarily inspired by lived experiences, the album will take you through sincere and poetic narratives, into a poignant universe with dreamlike undertones. I frequently evoke a forgotten childhood, like a distant land, engulfed by the gradual erasure brought on by the adult world.

This deeply introspective project is distinguished by its authenticity and its refusal of any complacency. The album shines a light on powerful themes such as violence and trauma, approached with precision: directly, yet never renouncing a certain gentleness, so as to preserve an accessible and pleasant listening experience.

This is what I need backing for.

Following the release of the music video Les enfants écorchés in November 2024, I felt the desire to extend this work through an album. The track was reinvented in a piano-voice version, more intimate, in order to fully integrate into the musical universe of the project.

I composed ten original songs, and the album also includes a cover of the track Hélène et le sang by the cult band Bérurier Noir, revisited here in an acoustic version with jazz influences. Through these songs, I assert a clear position: a commitment against violence, and in particular sexual violence. Deeply affected by the realities faced by many women and children in Switzerland and elsewhere, this project stems from a sincere and necessary approach. Music then becomes a space to speak, to transform, to soothe — a way of expressing and transmuting wounds.

To support my projects, I created the association Réminiscence, and I subsequently wish to perform this album on stage and address the issue of sexual violence with audiences. The majority of the proceeds from this campaign will be donated to my association.

I wanted to make this album as raw as possible — honest and without artifice. I shaped it entirely by hand, with rigour, emotion and truth. Supporting this project is much more than encouraging an album: it is participating, in your own way, in an essential and necessary act of speaking out. Below, the music video Les enfants écorchés.